Paradise Cultural Foundation and Paradise Welfare Foundation jointly held the Asian Pop Festival 2026 and the 16th Aisori Festival at Paradise City, bringing together 51 acts from seven countries and 90 families of youth with developmental disabilities in a celebration of music and inclusion.
Paradise Cultural Foundation and Paradise Welfare Foundation held a large-scale cultural event to promote musical exchange and advance the value of social inclusion for youth with developmental disabilities. The event created a space for musical communication across nationalities and generations, and realized a barrier-free festival where people with and without disabilities could enjoy it together.
Paradise Group held the Asian Pop Festival (APF) 2026 and the 16th Aisori Festival simultaneously at Paradise City from May 30 to May 31. The event brought together 51 acts from seven countries alongside 90 families of youth with developmental disabilities, embodying the values of musical exchange and social inclusion.
A Stage for Asian Musical Exchange Across Borders
Paradise Cultural Foundation conceived the Asian Pop Festival to showcase contemporary music from major Asian cities — Seoul, Tokyo, Taipei and Jakarta — under one roof and to foster musical exchange among them.
Now in its third year, the festival drew roughly 40 global delegates from across Asia, who toured the performance venues scouting promising artists to invite to overseas festivals. The delegates represent music markets and festivals in their respective countries, seeking out new talent and pursuing cross-border collaboration.
Paradise Cultural Foundation supports Korean artists in expanding overseas through its international music exchange initiative, the Paradise Music Lab Network. During the festival, the foundation ran a "Meetup Lounge" and an "Artist Lounge" as part of the network program to facilitate exchanges between global delegates and Korean artists, distributing pitching books introducing domestic acts and providing interpretation services.
At midnight on June 1, the foundation also held "AFT Night," a networking event for artists and delegates that kept the music industry conversation going.
10,000 Visitors Immersed in the Heat of the Music
Around 10,000 people attended the performances, which unfolded under clear skies over Yeongjongdo. Children were among those circling the pit, and the crowd included not only music fans but also families with young children and a significant number of foreign visitors.
On the first day, May 30, a strong lineup of domestic and international artists spanning multiple genres took the stage. Kim Chang-wan Band headlined the opening night, connecting with the crowd. A highlight was the South Korean debut of Taeko Onuki, a legend of Asian city pop, who delivered a resonant performance. Inaichi, Kimishima Ozora and Ridoor also drew enthusiastic responses with their distinctive sets. From 11 p.m., the Chroma Midnight program took over, with DJ Hasegawa Yohei, DJ Soulscape and others spinning late-night sets that stretched into the early morning.
On May 31, a lineup that transcended generations and nationalities kept the festival energy alive. On the Paradise Stage, Broccoli, You Too, ADOY and Kim Min-gyu (Delispice) performed before Taiwanese fan favorite Sunset Rollercoaster closed out the night. On the City Stage, Sunwoo Jung-a brought her singular sensibility to the crowd, while Noisegarden and Crying Nut filled the air with the raw power of Korean rock.
Festivalgoers wore official merchandise — ball caps, tote bags and windbreakers — as they took in the performances. One office worker who traveled from Mapo-gu, Seoul, said the experience felt like "a comfortable picnic unlike any other, enjoying a festival inside a resort," adding that "what makes it special is going beyond simply consuming performances to sharing a stay-and-wellness culture together."
Career Exploration Program for Youth With Developmental Disabilities
On May 30, alongside the Asian Pop Festival, the 16th Aisori Festival was held in the Sapphire Hall and meeting rooms of Paradise City's convention center. Now in its 16th year, the Aisori Festival was redesigned this year — moving away from its previous play- and activity-focused format to become a "career exploration fair" for youth with developmental disabilities, aimed at helping families think through realistic employment options and paths to independence.
Developmental disabilities encompass a range of conditions affecting communication, social interaction and cognitive function, meaning those with such disabilities often require support systems for everyday career choices and independent living. Ninety families of youth with developmental disabilities took part, working through a variety of hands-on job experience programs.
Paradise Welfare Foundation ran the job experience programs in partnership with six organizations: Kimu Studio, AI Works, Heart Heart Art & Culture, Peach Market, Goodwill Store and Paradise City. Participants rotated through stations covering drawing practice, AI data processing, percussion, job readiness education and retail sales experience at a donation store. Some programs also provided participants with research notes in which experts analyzed their aptitudes and individual characteristics.
The Paradise City employee volunteer group "Gaongil" led a hotel food-and-beverage service and table manners session. The participating youth practiced service-sector tasks and learned the basic etiquette and professional skills needed to enter the workforce.
One parent who attended said that previous events "fell short because they were limited to one-off play or activities," adding that being able to explore a range of job fields with actual employment in mind "was a great help."
A Barrier-Free Festival Where Music Breaks Down Walls
At the combined festival, Aisori Festival families attended Asian Pop Festival performances together, dissolving the boundary between disability and non-disability. On the evening of May 30, youth and families participating in the Aisori Festival visited the Asian Pop Festival venue to watch performances including Kim Chang-wan Band.
Paradise Cultural Foundation and Paradise Welfare Foundation ran a range of accessibility support programs to ensure smooth concert attendance. Trained accessibility managers were stationed along key routes to assist with movement. Sensory maps and sensory relief tools such as headphones were also provided for attendees sensitive to sensory stimulation.
Choi Yun-jeong, chairwoman of Paradise Welfare Foundation, said the festival was designed as "a space for career exploration where children can encounter the diverse world of work and envision their dreams," adding, "we will always be by their side so that our friends can step confidently into the world at their own pace and in their own colors."
terry@heraldcorp.com
