Another chart sweep on comeback
A decade of musical achievement
'The power of comfort delivered without force'
Im Young-woong has done it again — a chart sweep that began the moment he made his comeback. His new release instantly dominated South Korea's largest music streaming platform, with every track on the album following close behind onto the charts.
According to his agency Fish Music and the streaming platform Melon on Friday, the title track "Ddoddo" from Im's 10th-anniversary special album "IM HERO 10," released Tuesday, topped Melon's Hot 100 chart within one hour of its release. Every other track on the album also entered the upper reaches of the chart.
It took less than a day for Im to achieve a full chart sweep — claiming the top spots on the real-time charts of all major domestic streaming platforms, including Genie, Bugs and Vibe. As of Friday, "Ddoddo" sits at No. 5 on Melon's Hot 100, with all tracks from the album placed within the top 20.
Im has consistently demonstrated strong streaming power with each new release, but this comeback carries special weight as the culmination of a full decade since his debut. Even amid a crowded field of chart-dominating acts each season, he has shown that his staying power goes beyond fandom loyalty — it reflects a decade of steady musical growth built in relative silence.
His beginnings were anything but glamorous. Im made his debut on Aug. 8, 2016, with "I Hate You / Summer Rain," and spent years in obscurity with songs like "What Matters" (2017) and "Take the Elevator, Not the Stairs" (2018). At the time, he was a rookie firmly rooted in the conventions of traditional trot music — a deep, trembling voice and the sharp, plaintive vocal breaks the genre demands.
The turning point came in 2020. After winning TV Chosun's "Mr. Trot" by a commanding margin, Im began dismantling genre boundaries in earnest. He embraced polished pop ballads like "Trust Me Now" and showcased an expansive British rock vocal style on "HERO." By 2021, collaborating with Sol Woon-do on the lyrical folk-trot "My Love Like Starlight" and recording the drama series theme "Love Always Runs Away," he had shed the trot vocal style almost entirely, completing his transformation into an adult contemporary vocalist with broad, effortless appeal. "Love Always Runs Away" in particular became a national favorite — surpassing 1 billion streams on Melon and topping both the noraebang and Gallup charts for three consecutive years.
His first full-length album, "IM HERO," released in May 2022, gave that growth wings. It featured an emotional ballad co-written by Lee Juck, "Can We Meet Again," alongside the hip-hop and reggae-inflected "A Bientot" and the breezy folk-rock track "Rainbow," signaling the full flowering of his musical range. Pre-orders alone exceeded 1 million copies, and the album crossed the 1 million mark within three days of release, finishing its first week with 1,102,012 copies sold. His total physical album sales have since surpassed 2.5 million copies.
Im has never stopped evolving within his music. Starting with his first self-composed track, "London Boy" (2022), he has continuously expanded his range — from "Grains of Sand" (2023), a song of deep repose built on nothing but guitar melody and a gentle whistle, to the EDM track "Do or Die" (2023), paired with bold synchronized choreography, to "Warmth" (2024), a tender consolation tied to a short film. His new single "Ddoddo" is also self-composed, capturing the quiet everyday moments with his dog Siwol in a soothing acoustic melody that brings him one step closer to his listeners.
The greatest strength of Im's music is its ease. Even on high notes, he never strains for effect or forces his voice into a shout. "Im Young-woong sings as if he is speaking — laying the lyrics on top of his breath," one music industry insider said. "Even as the notes climb, his voice never cracks; it flows as smoothly as a single breath." Particularly striking is his restraint with sorrow: rather than pushing emotion to its breaking point, he holds back, leaving perhaps 70 to 80 percent of the feeling unspoken and pausing for a beat.
Another industry insider noted that since Im began writing his own songs, the lyrical direction has moved beyond conventional love songs toward something more existential — a sense of solidarity and a contemplative view of life that adds literary depth. "On top of that, the comfortable space his vocals leave open invites listeners to fill it with their own memories and longing," the insider said. "That is Im Young-woong's greatest power."
shee@heraldcorp.com
